Thursday, 7 April 2011

Owls are fun

On Mother's Day* I boldly eschewed the 'out for a meal' tradition by taking my mum to the Suffolk Owl Sanctuary. Ask me how it was. How was it? It was a real hoot.** It's actually a bit of a misnomer; they certainly have plenty of owls but there are also many other birds and even some mammals. You'd think, living in a fairly rural area, that I'd see owls all the time but that just isn't the case. I'd certainly never seen one up close, so it was fun. This fellow was my favourite:

You just can't get cooler than that. He's evolved his own crash helmet.

They also had some red squirrels. I'd never seen one before.

An entirely uninteresting fact that has just popped into my head is that my sister used to work for the Guardian insurance group, whose logo was an owl. The telephone number of the Ipswich branch was 282820. Geddit? Genius.

There are more photographs on my Flickr page.

* I'm going with what seems to be the accepted punctuation, but why isn't it Mothers' Day?
** This footnote is purely to give you time to enjoy that joke before moving on. That's assuming that you, like me, read footnotes straight away rather than going back to them.

Wednesday, 6 April 2011

Hey man, slow down

I'm back, and having cleared from my throat the debris of another failed project I'm feeling strangely optimistic and ready to do something new.


I have learned, from a second attempt at daily visual blogging, that nothing of any real worth can be done in a hurry. As much as I'd like to believe that it's possible to create meaningful pieces of art in a conveyor belt fashion every evening, it's not. They might look okay, but you're basically peddling a succession of half-formed ideas that could almost always be improved upon. When I came up with the story project I imagined that the posts would be very simple - mostly photographic - and nowhere near as time consuming as Creative Year had been. It seemed very manageable and I felt confident that I could see it through to completion. The early posts reflect this simplicity. Inevitably though, I then felt an obligation to improve and offer something of greater substance and found myself in that middle ground again. The format was restrictive and I felt that it wasn't going anywhere or saying anything.

I realise that I'm getting a reputation for being a quitter, but really I just care about my output. There is something appealing about daily posts because you very quickly amass a large archive and give the impression of being hugely productive, but less frequent and more considered work is definitely a better option. How many of your favourite pieces of art, and I'm including music and film in that bracket, have been thrown together without much care? None, I would imagine. We all appreciate things that take true effort and we always acknowledge it, subconsciously or otherwise.

So, whatever I end up doing, I want it to have more value. My creative output isn't a hobby that I fit in around my life because I don't have one; my artwork is the only thing that I'm likely to leave behind.

I'm going to keep posting stuff as and when I do it, and I'll start with this portrait I've just finished of Emma Stone. In a radical departure from my usual subject matter, she is an attractive young actress. I don't think portraits are my calling but they're quite fun to do when I'm between other things.

If it interests you, there is an accompanying time lapse video here.

Wednesday, 30 March 2011

Days 89 - 365



Well I did acknowledge from the start that it was a bad idea. I panicked, mid-December, into starting an ill-judged and ill-conceived project that lost its legs a few weeks back. I'm on a seemingly unending search for the right vehicle to showcase my tal***s, ever mindful that my inability to find it could merely indicate something I'd rather not acknowledge.

So thank you, the merry few who remain - I'm off to come up with a more productive use for my time.

Tuesday, 29 March 2011

Day 88


Monday, 28 March 2011

Day 87


Sunday, 27 March 2011

Day 86


A couple of weeks ago a strange thing happened and I still haven't come up with a satisfying explanation for it. I was having my usual Saturday lie-in when I was awoken by a huge thud on my doormat followed by the rattle of my letter plate and the postman's steps down the metal staircase outside. Now, I'm a very sound sleeper who can normally snooze through thunderstorms, car alarms, air raids, you name it. So whatever had just dropped through my letterbox must have been pretty substantial. I was still sleepy but since I wasn't expecting any packages I was very intrigued as to what it might be, so I got out of bed immediately to see what it was. When I got to the doormat there was an A4 flyer for a local double glazing firm. Nothing else. I thought perhaps I'd dreamt it; the leaftlet had probably been there from earlier. But on looking out of the window, the postman was walking across the road to the other houses. Please readers, help me understand.

Saturday, 26 March 2011

Day 85



Adobe Illustrator comes with several templates, including the above box. After a lengthy period of bafflement I have concluded that the extra flaps are for sticking together and display hanging.